Author: FRAMEmusic

CRYSTAL LAKE ANNOUNCE EU/UK CO-HEADLINE TOUR WITH MISS MAY I, UK LEG STARTS MARCH 16

Japanese powerhouse CRYSTAL LAKE will be joining forces with American metalcore band Miss May I for a co-headline tour during early spring 2026 in Europe and the UK, with tickets going on sale Monday, 24th November 2025 at 11am CET / 10am GMT. Last month, CRYSTAL LAKE announced their highly anticipated seventh studio album, The Weight of Sound, set for release on 23rd […]

Cryptopsy – All So Vile Tour 2026 (with support from 200 Stab Wounds, Inferi & Corpse Pile) – Manchester Club Academy

It’s a cold Thursday night in Manchester and we’re at Club Academy (a 650-capacity venue located in the basement of the University of Manchester Student Union) for OG technical death metal masters Cryptopsy. This tour has been promoted as a celebration of 30 years of their classic sophomore album ‘None So Vile’. However, they are […]

Album review: Joe Bonamassa & various artists: ‘B.B. King’s Blues Summit 100’

One of the most striking aspects of this 32-track project is the sheer scale and prestige of its guest list. It is not simply impressive, it is generational, panoramic, and historically meaningful. The album brings together world-class artists from different eras of blues, rock, soul, and rhythm & blues, creating a musical bridge between past, […]

CREEPER ANNOUNCE THE INTIMATE ‘SANGUI-TOUR’ FOR PERFORMING SONGS FROM BOTH CRITICALLY ADORED ‘SANGUIVORE’ ALBUMS

As 2025 breathes its final breath, CREEPER are already set to break out of the abyss in a big way in 2026. Their first plans for the year ahead come with the news that they will embark upon the ‘SANGUI-TOUR’ in April – an extensive run of intimate shows in which they will perform songs […]

Lorna Shore + Whitechapel + Shadow of Intent + Humanity’s Last Breath – O2 Academy Birmingham

Some line-ups look strong on paper but don’t always translate once the lights go down. This wasn’t one of those nights. From the moment people began filtering into the O2 Academy, there was a sense of anticipation that felt earned rather than manufactured. Four bands, each operating in their own space within modern heavy music, […]

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